
I have a black casing for mine and it goes with me everywhere, seeing as it easily fits in my purse. Brilliant design.
Recently my husband bought me a Kindle as an early birthday present. Beforehand, I figured it wouldn’t change how I read much. Man, was I wrong. I’ve read three books in the past week, which is more than I’ve read in the past three months alone. It’s made me really happy to get back to being a voracious reader, and I’m excited to read indie novels as well as traditionally published ones. However, I’ve noticed an interesting difference between the two types of ebooks. I’ve bought two traditionally published novels so far and no indies yet, though I’m reading four samples of indie ebooks at the moment. None of the indie samples I’ve read so far strike my fancy.
Why? Because they have killer-boring beginnings.
Yes, killer-boring. As in, the beginning is a prologue, or a play-by-play of how the soon-to-be hero’s parents tragically died. Or how the main character came to be in such a loathed place. There were a few variations of this, but you get my point. I don’t necessarily want to be thrown into the middle of the action, but I don’t want to be thrown so far away from the actual plot that, every chapter on, I’m re-reading little bits about the prologue or the first chapter.
Here’s a brilliant idea: Cut out that information. Just start with the hero working with his dad at the forge and mention the dude’s not the main character’s real father. Or, better yet, have that come out in the action or hinted at in dialogue. The town bully can sneer at the main character for being no one special — and what’s worse, the bully says the main character’s probably a bastard, seeing as he doesn’t know his parents. Cue conflict, cue interest. Where’s the parents? And then, five pages later, a dragon lands and bows to the main character as the Dragon Prince. Bam. Now you really want to know what the hell happened to his parents.
I’m not an expert on writing. Really, I’m twenty. I’m not that great at it, but I study it like crazy because I want to be the best I possibly can be. When, as a reader, certain books are annoying the crap out of me, the writer in me wants to find out why so that I can avoid repeating those mistakes.
Now, the two traditionally published books I bought didn’t start out with a rambling prologue that explained what happened to the parents (they were the mythic Dragonlords, wyverns being their hated enemies, and the good parents fell in a bitter, epic battle. A dragon saved their son, let him grow up all normal-like, then called him when the time came. Voila! Plot’s fully explained and is now boring). In The Forever War, you’re thrown into the main character’s training. But not at the beginning of the training, back on Earth. Nope, you’re started off on a foreign planet in 1997. Seeing as the book was written in 1975, that was still far in the future, but for me, that was like, woah, wait, what happened in 1997? What the hell? What kind of planet are you on? I’m hooked, I have to know.
Now I’m not using this an example of traditional is better than indie. Please don’t go there. What this is an example of is good editing and good understanding of how to hook a reader. Also, this might not hook all readers. In fact, maybe I’m a strange example and prefer a strange type of book. Maybe I’m too picky. All I know is that’s what I personally prefer, and what I personally think writers are missing out on. Don’t give all the plot secrets away in the prologue. Honestly, don’t even have a prologue unless it’s gripping and leaves the reader with more questions than answers.
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